Publications

© Charles Ames
Page created: 2013-05-20
Last updated: 2013-05-20

Crystals: Recursive Structures in Automated Composition Details

Protocol: Motivation, Design, and Production of a Composition for Solo Piano Details

The ASHTON Score-Transcription Utility Details

Stylistic Automata in Gradient Details

Notes on Undulant Details

Automated Composition: An Installation at the 1985 International Exposition in Tsukuba, Japan Details

Applications of Linked Data Structures to Automated Composition Details

Tutorial on Automated Composition Details

Two Pieces for Amplified Guitar Details

Reflections on James Tenney Details

Review of Tenney's Meta + Hodos: A Phenomenology of 20th Century Musical Materials and an Approach to the Study of Form and Meta Meta + Hodos Details

Music, AI in Details

Automated Composition in Retrospect: 1956-1986 Details

Concurrence Details

The Markov Process as a Compositional Model: A Survey and Tutorial Details

Statistics and Compositional Balance Details

Introduction to Compose: An Editor and Interpreter for Automated Score Generation and Score Processing Details

A Catalog of Statistical Distributions: Techniques for Transforming Random, Determinate, and Chaotic Sequences Details

A Catalog of Sequence Generators: Accounting for Proximity, Pattern, Exclusion, Balance and/or Randomness Details

Cybernetic Composer: An Overview Details

Quantifying Musical Merit Details

How to Level a Driver Sequence Details

Thresholds of Confidence: An Analysis of Statistical Methods for Composition, Part 1: Theory Details

Thresholds of Confidence: An Analysis of Statistical Methods for Composition, Part 2: Applications Details

Computer Music (updated by Larry Polansky) Details